ostgut ton logo shirt --> alltime fav

ostgut ton logo shirt --> alltime fav

ostgut ton logo shirt --> alltime fav

ostgut ton logo shirt --> alltime fav

the young hamburg based label rennbahn records comes along with his third release. the protagonist oliver ton (int. deejay gigolo) creates 2 pumpin techno tracks with freaky vocals and a nice groove. the ep also contains a melodic, but powerful rené bourgeois and a groovy ronald christoph remix.

ostgut ton logo shirt --> alltime fav

ostgut ton logo shirt --> alltime fav

ostgut ton logo shirt --> alltime fav

ostgut ton logo shirt --> alltime fav

hot on the heels of his recent berghain mix, ben klock continues his exploration into the many zones and movements within the techno world.

great ltd ostgut ton shirt zur fantastischen compilation ...

vinyl edition (7x12inch) is limited to 1500 copies ww!!! ostgut ton releases this unique compilation of music crafted from field recordings made inside the two berlin clubs berghain and panorama bar. the concept and original recordings were made by the berlin based producer emika. over a period of two months emika created the recordings in the clubs while they were closed to the public and edited them into a library of sounds. the library was then given to all the ostgut ton artists, but also to club associates like dj pete aka substance, dinky, cassy, margaret dygas, ryan elliott and scuba using his scb alias, to make music with. this release marks the celebration of the labels five year anniversary!!

berghain resident marcel fengler is one of the frontmen of raw and forward pushing techno. judging by his previous three eps for the label, its clear to see how fenglers work revolves around a love for tough, angular and edgy tools for the floor. this fourth offering continues the energy with three jacking, factory-forged tracks leading us further down his mysterious path.

excellent 80s disco / nyc infected house... incl smoking remixes from walter jones, bubble club, drrtyhaze.. any questions ??

the pairing of andreas baumecker (and sam barker (voltek) seemed almost destined to result in some outstanding music. the fruits of a friendship and production partnership closely founded upon their love for more experimental dance sounds, the candyflip ep introduces the pairs debut output.

running and releasing on the labels equalized, wax and subsolo, shed managed to become one of the most influential artists in todays techno, house and dubstep genres.
the vinyl version of his new album >the traveller< will be packaged in a luxurious gatefold cover.

after only a handful of productions and remixes under that illusive moniker, british techno pioneer luke slaters >l.b. dub corp< arrives on ostgut ton in its latest electronic mutation.

yes, stefano e bene are big fans of italo disco. in their >happy sunshine studio< they work on their own definition of this sound. actually, the two boys do not come from italy. but their friend hard ton does. together with this really big artist, who already released on dissident, gigolo and permanent vacation, they created >why your love<, the first stefano e bene single. a track for the disco, for the summer and for the love. for remixing duties, stefano e bene asked the jackers from snuff crew. also hard ton himself and katzbatz, the project of stefano and cologne based dj catweasel did a mix.

this is the second of two vinyl parts, showcasing some of the exclusive new tracks chosen for ben klocks forthcoming berghain 04 mix compliation. part ii features a couple of vertebrae from the backbone of uk techno today, james ruskin and kevin gorman.

part 1 is extracted from ben klocks forthcoming berghain 04 mix compilation. two massive dubtechno monster...

this is the 3rd release from 2 of the panorama bars ever charismatic residents, tama sumo & prosumer. after one ep already for the label, and a split on diamonds & pearls, this next trip sees the pair journey further into classic analogue territories, and including a wild, rough and direct remix from detroits the oliverwho factory.

berghain / panoramabar resident andre galluzzi kick started ostugt ton almost 5 years ago with his pivotal berghain 01 mix cd. now he finally returns home alongside close colleague dana ruh, with this 2 track foray into cutting-edge hypnotic territories. alongside her forthcoming collaborations with galluzzi, and a new label forged by andre, dana ruh runs the respected broquade platform where her elegant inclinations in sound can be explored further.

the name says it all. dettmann is the debut long player of berghains resident dj, producer and remixer marcel dettmann - and what an album it is. intrinsically tied to the myth that is berghain by now, the attached label ostgut ton and at the same time with the regeneration of no-frill, cleansed and powerful electronic music, marcel dettmann managed a daring feat: the production of a truly absorbing and veritable techno album. framed by >quasi< and >taris< as intro respectively outro, spread out over ten tracks, dettmann transports the raw energy, the rough aesthetics and the simple grace of techno.

resident nick höppner returns with his third release for ostgut ton. after last years >makeover< come three new detailed excursions, plus a remix by lee jones. almost entirely constructed from field recordings taken within the walls of berghain, >brush me down< is a raw and textural jam, uncontrived and jostling with energy. jittery, shuffling and shaking, höppners love for funky, off-kilter percussion shines through as he pieces together a mysterious audio puzzle of found atmospherics, club nights and concerts otherwise committed only to memory yet now preserved and recycled. it also is a hint at what is to be expected from ostgut tons 5 years anniversary compilation this autumn.

>selfish< is hard tons debut ep for gigolo records, an artist in the true sense of the word, and one that appears to follow the same lineage as previous label mates fischerspooner, tiga et al!

excellente 4 track remix ep zu ehren von marcel dettmann und seinem bald kommenden album ... 4 tracks von ihm im mix von norman nodge (mdr) und wincent kunth!

hard ton is the 21st century disco queen: falsetto vox mixed with hard jacking analogue chicago house and giorgio moroder basslines. comes with a acid house version of madonnas music, berghain hit jealousy and a remix by germanys jackmaster no. 1 snuff crew.

well known for her electrifying panoramabar sessions, representing her love for all things deep, sensual and musical about house music steffis talent has blossomed out of her relationship with the musically entwined cities of amsterdam and berlin.
her touching, classic-jack inspired productions continue to gracefully bubble towards the international surface with this 12 inch. her debut cut for the label, >24 hours<, featured on tama sumos >panoramabar 02< compilation set out her production intentions quite eloquently. >kill me< continues the warm, traveling night-time vibes and opens steffis signature sound up into a full vocal-led celebration of house.
besides steffis killer chicago inspired throb and moody melodic structure, >kill me< features the sultry vocal talents of close friend elif bicer, also recording partner of label mates prosumer and murat tepeli. elifs tender and instinctive story of a love lost and found flows honestly and creatively throughout the vocal version. an instrumental dub is also included for the creative use of the dj.
steffi also shows off her skills with the >crushed soul< mix, allowing her intuitive, sentimental yet dancefloor tuned chord progressions to flow stronger. baassline led and focused on clean, precisely measured beats and synth lines to tell the story, this alternative version goes even further to suggest what treats are yet to come from this talented producer.

appleblim & al tourettes und deuce (marcel dettmann / shed) läuten mit ihren remixen eine weiterführende runde in der erforschung der äußeren ränder elektronischer musik ein. während al tourettes & appleblim eine abwegige huldigung düsterer, gebrochener beats zelebrieren, bescheren uns deuce ein reduziert pumpendes tool dessen mächtiges brummen sich zu einem hypnotischen sog entfaltet

roughly translated, hasta el fin means >the very last number of the night<, appropriate when you consider this is gigolos final release of 2009. the a&r process at gigolo is a constant and very simple formula! if hell likes it, plays it and gets a good reaction from the crowd then it needs to come out on his record label! no other record fits the criteria more the >hasta el fin<. this is a record that featured heavily in hells festivals and club sets and was played at the end of every after-hour he found himself. but its beginning is a little less finite.
the genesis came late last year when oliver ton invited various musicians for a jamming session. in the spirit of some masterful moments in music oliver ton and production partner ronald christoph captured something unique sounding with a dance record built largely around a vocal, guitar and piano performance. it was immediately signed to berlin based white records and assigned the fitting cat. no. of white999!!!
hell, an early supporter of both the record and label was smitten, personally requesting the license for gigolo. once this was granted he approached tony lionni for a remix. for many djs, including hell, tony lionnis >found a place< is without doubt one of the biggest records of 2009. so combining the talents of these two artists would appear to be a no brainer, and the results speak volumes. taking the vocal hook, layering it over a tough piano stab and italo style disco rhythm is the order of the day. as we approach the end of another decade for gigolo and the first of new millennium we are proud to present our last number of the 2009!

taken from tama sumos ostgut mix cd panorama bar 02, brill raw styled hypnotic deep house

one year after their >serenity< 12 inch including a soundstream remix, it is high time for some new material by cologne-berlin based duo prosumer & murat tepeli. >u & i< is the result of an extensive jam at prosumers studio. this is a trend resistent deephouse song it brimming with their unmistakable signature sound. it has sounds of dancing horses, an adorable old school and a bassline lary heard would be proud of. once again, prosumer shares vocal duties with elif biçer both telling touching stories about night clubbing and human relations. >the jam< on the flip side is - quite apparently - exactly that - a jam. it is based on the recordings for >u & i<, but also caterss for a more upbeat dancefloor. it is the more techno oriented, instrumental side of the same coin and prosumer & murat tepelis most energetic effort to date

mehr als eine platte pro jahr hat marcel fengler seit 2007 nicht herausgebracht, >twisted bleach< ist insgesamt erst seine dritte. aber natürlich zählt auch bei uns qualität mehr als quantität – und so bleibt es auch immer spannend, in welche richtung der berliner berghain-resident seinen sound jeweils formt.

bangin remixes by robert hood, function, kenny larkin

played by: baby ford, trickski, julius steinhoff, anthony collins, philip bader, dirty doering, lil tony, kotelett & zadak, karotte,.. _ very special one sided 12 inch_ once again the latest white release is a reinvention of the label itself and pre-announces its early ending years in advance. this release is a very special one... it is from oliver ton and can be understood as the >very last number of the night<, that is why it is catalogued as the white- 999. oliver ton invited many musicians for jamming sessions into the studio of his production partner >ronald christoph<, in order to create a unique sounding. the final results are >hasta el fin< a song, which will turn every afterhour upside down, especially during summer! the song simply has it all. we love its humor and see it as an ironic statement of the minimalhouse hype.... thats why it matches so beautiful to white... or not.... and thats what we love about it, say the creators of white.

>time to bring the funk and intensity back in a new way. time to open the sound again<, sagt luke slater zu seinem planetary assault systems album. er generiert über die gesamte spielzeit eine industrielle härte und energie, die man schon länger nicht mehr dermaßen auf den punkt gebracht bei einem technoalbum gehört haben dürfte

hard ton is a very welcome new addition to the dissident clan, and yet another old school analogue kit freak. time to jack is raw acid business that breaks into falsetto vocals half way thru before diving back into jacking analogue territory. a sure-fire winner for summer. marilyn is lush deep and dreamy dance-pop full of vocal hooks and sublime synth textures, perfect for the end of night and late morning sets

ultraphat three track ep with more powerful high quality prime time techno!! ultimate decks tip!

the cheeky maniac voice from berlins highly recommended dj oliver ton meets the cutting edge deep tech-house by viermalair. berlin move on! supported by stephan bodzin, richie hawtin, shinedoe, alexi delano, play paul!

luke slater aka planetary assault system with more killer / peak time techno at it best !!! decks tip !!

zwei tracks, einer eher house (makeover), einer deeper techno (founding), beide aber absolut variabel einsetzbar. >makeover< taucht tief ein in die entrückte stimmung zwischen peaktime und afterhour, zeitgenössischem house und zeitlosem voodoo. >foundling< legt die zügel dann etwas straffer an, und beackert mit einem dubbig-verhallten klangbild auf subtile aber nachhaltige art jeden technofloor mit substanz

als wenn das album an sich nicht schon grossartig genug wäre, jetzt auch noch remixe von surgeon & martyn. surgeon macht keine gefangenen und sprengt im nu den weg frei zum düsteren, schwitzenden clubfloor. martyn liefert einen basslastigen zukunfts-stepper, der nicht nur in technoclubs, sondern auch auf dem dubstep-floor seine massive wirkung entfachen wird

detroit, dub, rave, idm & minimal sind deutlich hörbare einflüsse die mal mehr, mal weniger aufblitzen. shed hat ein sehr feines, homogenes album erschaffen, welches unverkennbar den ostgut & berghain sound transportiert und eine deutliche nähe zum hardwax umfeld aufweist

considering the massive output of tracks last year, the einmusik-lager gathers together to satisfy their fans with an own brandnew label - modus operandi. the first release is a piece of first class excellence. the three tracks >pate mo tu vae<, >tautai e< and >frickeldelle< have copious been tested about their dancing and raving qualities. especially einmusiks >pate mo tu vae < the profitesters like dj karotte praised to be marvellous

wow, das ist ein ganz toller soundstream mix der die seele des originals einfängt und in ein modernes diskomärchen verwandelt. darüber hinaus gibt es noch das original sowie einen song der durch seine treibende bassline auf sich aufmerksam macht

marcel fengler provides 2 new tracks for this ostgut ton release. having just moved to berlin, the producer displays two different sides of his abilities. theres one primetime tech banger and one more experimental cut with a growing dubstep influence.

normans >native rhythm electric< auf der a-seite kommt mit fein moduliertem oldschool-geklöppel der soviel dreck unterm fingernagel hat wie kaum eine andere platte zur zeit. >vangel< auf der b-seite ist 100% techno, ein sturm & drang track, der mit seinen charakteristischen glocken die rave-apokalypse einläutet

hier gibt es den erstenteil von exklusiven stücken die auf der berghain mix cd von marcel dettmann zu finden sind. shed (soloaction) trägt die seele von detroit-techno mit euphorie & einem inneren glühen weiter und tobias alis pink elln (sieg über die sonne, nsi.,odd machine) beweist, das kleinste verschiebungen doch die größten effekte haben können. hypnotisch, bassstark, gut

what is house music? man fragt sich das seit jahrzehnten. unsere katalognummer 14 liefert vielleicht antworten mit bassdrums und -lines, die ganz tief zupacken. funky beats & tolle breaks die die arme nach oben treiben. die gesetze der alten schule werden eben nie ungültig